POPULAR MUSIC MEDIA ETHNOMUSICOLOGY ECOMUSICOLOGY
Forthcoming
Keogh, B. and Zemke, K. (2024 Forthcoming) ‘“How Far I’ll Go?: The circulations of Aotearoa (New Zealand) Maori and Pasifika Pop Musics’ in Jason Beaster-Jones and Kariann Goldschmitt (eds.) The Oxford Handbook of Global Music Industry Studies, Oxford University Press.
Keogh B. and Collinson, C. (2024 Forthcoming) "'It's the End of Capitalism as we Know it': Songs, Prophecies and Resistance in the Capitalocene" in Simone Krüger Bridge (ed) The Oxford Handbook for Global Popular Music, Oxford University Press.
Keogh B. and Collinson, C. (2024 Forthcoming) "'It's the End of Capitalism as we Know it': Songs, Prophecies and Resistance in the Capitalocene" in Simone Krüger Bridge (ed) The Oxford Handbook for Global Popular Music, Oxford University Press.
Publications
Collinson, I. and Keogh, B. (2024) Jack Johnson’s quiet activism. Continuum.
Evans, M. and Keogh, B. (2022) ‘Film and Television Music’ in Christopher Patridge and Marcus Moberg (eds.), The Bloomsbury Handbook for Religion and Popular Music vol. 2, Oxford, New York, New Delhi, Sydney: Bloomsbury.
Khamis, S. and Keogh, B. (2021) 'Sonic branding and the aesthetic infrastructure of everyday consumption' Popular Music.
Keogh, B. and Ian Collinson. (2020) “The ‘Protooling’ of the World” Journal of World Popular Music 7/1.
Evans, M. and Keogh, B. (2022) ‘Film and Television Music’ in Christopher Patridge and Marcus Moberg (eds.), The Bloomsbury Handbook for Religion and Popular Music vol. 2, Oxford, New York, New Delhi, Sydney: Bloomsbury.
Khamis, S. and Keogh, B. (2021) 'Sonic branding and the aesthetic infrastructure of everyday consumption' Popular Music.
Keogh, B. and Ian Collinson. (2020) “The ‘Protooling’ of the World” Journal of World Popular Music 7/1.
Keogh, B. (2020) “Here, There and Everywhere: Recording Popular Music in the ‘Field’” Journal of World Popular Music 7/1.
Keogh, B., Brunt, S., and Giuffre, L. (2019 ) ‘Sounds like Australia? Listening to Australia’s Eurovision Song contest, in Jess Carniel (ed.) Understanding the Eurovision Song contest in Multicultural Australia: We Got Love. Palgrave MacMillan. https://www.palgrave.com/gp/book/9783030200572
Keogh, B. (2018) “Star-Spangled Shamisen: In Search of the Jimi Hendrix of the [insert instrument here].” Perfect Beat. 19/1: 68-85. ISSN: 10382909.
Evans, M. and Brent Keogh (2017) ‘Film and Television Music’ in Christopher Patridge and Marcus Moberg (eds.), The Bloomsbury Handbook for Religion and Popular Music, Oxford, New York, New Delhi, Sydney: Bloomsbury. https://www.bloomsbury.com/us/the-bloomsbury-handbook-of-religion-and-popular-music-9781350082625/
Keogh, B. and Collinson, I. (2016) “The (Ab)Uses of Music Ecology” MUSICultures, 42/1.
| the__ab_uses_of_music_ecology.pdf |
Keogh, B. (2016) “Riff: Interview with flamenco guitarist Damian Wright.” Perfect Beat, 1.
Keogh, B. (2016) “Swords, Sounds and Forests: An Exploration into the Representations of Music and Martial Arts in Contemporary Kung Fu Films.” IAFOR Journal of Asian Studies, 2/1.
| sounds-swords-and-forests.pdf |
Keogh, B. (2015). “‘A Tale of Five Festivals’: Exploring the Cultural Intermediary Function of Australian Jazz Festivals.’ Antipodean Riffs: Essays on Australasian Jazz, Sheffield (UK): Equinox
| a_tale_of_five_festivals.pdf |
Keogh, B. (2015) “The Wizard of Oud: Identity and Networks of Patronage in the Contemporary Australian World Music Scene.” Journal of Music Research Online, 6.
| wizard_of_oud.pdf |
Keogh, B. (2014) “Between Theory, Representation and Practice of Maqam: Rethinking the Representation of the Arabic Maqamat.” Analytical Approaches to World Music Journal, 3/2.
| rethinking_the_representation_of_the_arabic_maqamat.pdf |
Keogh, B. (2013). “On the Limits of Music Ecology”, Journal of Music Research Online, 4. ISSN: 1836-8336.
| on_the_limitations_of_music_ecology.pdf |
Keogh, B. (2013). “The CALD Front: A Summary Report of Arts Funding for Diverse Musical Disciplines in Australia.” In: Wilson, Oli (Editor); Attfield, Sarah (Editor). Selected papers from the 2012 Australia/New Zealand IASPM Conference: International Association for the Study of Popular Music Australia New Zealand Branch [November 2013].
| the_cald_front.pdf |
Keogh, B., and Alter, A. (2013). “Some Preliminary Thoughts on Patterns of Programming in Australia’s World Music and Folk Festivals.” In: Wilson, Oli (Editor); Attfield, Sarah (Editor). Selected papers from the 2012 Australia/New Zealand IASPM Conference, International Association for the Study of Popular Music Australia New Zealand Branch [November 2013].
| some_preliminary_thoughts_on_patterns_of_programming_in_australia’s_world_music_and_folk_festivals.pdf |
Keogh, B. (2012). “The Oud, the Bad and the Ugly: Transmitting 'roots' in the discourse and experience of World music in Australia.” In: Giuffre, Liz (Editor); Spirou, Penny (Editor). Routes, Roots and Routines: Selected papers from the 2011 Australia/New Zealand IASPM Conference. Sydney, N.S.W.: International Association for the Study of Popular Music Australia New Zealand Branch, 2012: 34-41. ISBN: 9780975774755
| oud_bad_ugly.pdf |
